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The Wakeup The genre dominating Netflix Film views in 2024 AI Chatbots Can Create Big Character IP Faster Than Hollywood A serendipitous chat with ‘Nicki Minaj’, the exploding world of celeb bots and how agents and studios can own a new frontier with more fans than any TV show or movie The Writer Who Went from Six-Figure Debt to a $220,000 Gig on an Emmy Darling In today’s Salary Confession, the bust-boom cycle of the profession catches someone on the upswing. So why can't they can’t relax? Gamblers Are Making Big Money Off Your Movie. And It’s 100% Legal New online traders bet on release dates, Rotten Tomatoes scores and box office. Will studios gamify their own business for part of a $1 trillion market? TV Production Exodus: ‘Misery in L.A.’, Who’s Getting ‘Screwed’ and What to Do About It As streamers ship series elsewhere, lawyers and producers vent to Ashley Cullins, and the state (finally) takes action. Plus: Tax incentives to still grab this year — even in Cali! My TIFF Diary: Popcorn Police, Nightbitch & Talking Eden With Ron Howard Four hectic days for your humble chronicler in Toronto, filled with on-screen highs (The Substance, Saturday Night) and IRL lows (almost getting kicked out) George & Brad Bite the Apple That Fed Them Talent takes the upper hand on the $3 trillion tech giant; Penske's cringe-inducing Applause-o-Meter 5 Days at TIFF, 5 Big Takeaways Marianne Jean-Baptiste and Adrien Brody enter the chat, The Substance has just that, the fight to see The Brutalist and why you always need to be open to surprise Eddie Huang on Vice and the End of a Toxic Media Darling The writer, TV personality and chef tells me about wrestling — literally — with Vice’s complicated history in his new doc. Plus: A peek at the 22 films I’m seeing in Toronto 🎧 Live From Toronto, Hugh Grant! The Heretic star and Katey Rich have a spoiler-free chat about A24’s elevated horror, getting into character and why he’s increasingly ‘drawn to nastiness’ 🎧 TV Series are California Leavin’ Hollywood hollows out as productions leave L.A. to shoot and what streaming has to do with it
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